![]() Feel free to disregard the outright snobbishness of my tying everything to Nietzsche. The case could certainly be made that 2001 is above all a dramatization of "Zarathustra" updated for the modern age. Few people find the ending of 2001 to be gloomy, and it is in my opinion, explicitly and unmistakeably Nietzschean. Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans. Learn exactly what happened in this chapter, scene, or section of 2001: A Space Odyssey and what it means. When it reappears on the Moon in 2001, astronauts embark on an ill-fated interplanetary voyage to discover. A summary of Part X (Section1) in Arthur C. Owing to the otherworldly quality in direction, nonverbal narrative style (minimal dialogues), stunning cinematography & visual effects and haunting music it is regarded as one of the greatest movies of all time. A mysterious black monolith appears on Earth in prehistoric times, changing the course of human evolution. ![]() ![]() But I just wanted to mention them, if for no other reason than to try to dispel the myth that Nietzsche was ultimately a gloomy philosopher. In terms of the content, making and technical brilliance, ‘2001: A Space Odyssey’ is undoubtedly way ahead of its time or even our time. I know these parallels are pretty broad, and almost certainly have been noted elsewhere despite the fact that I have not personally seen it. Bowman's psychedelic sequence at the near-end could be seen as Kubrick's best 1960's-style attempt at depicting the mystical "going under". The inscrutability of how these transformations occurred, and the suggestion that an external force caused them, is also Nietzschean in "Zarathustra", he makes it pretty clear that he doesn't have a clue how people are going to be able to enact these changes themselves and suggests that we will have to depend on an outsider (Zarathustra) to show us how to "go under". With Keir Dullea, Gary Lockwood, William Sylvester, Daniel Richter. And also, Zarathustra said that "man is a rope tied between beasts and the overman." The structure of the movie fits that description: a brief history of man as beast, until we become truly man by mastering weapons and acquiring reason, then a long sequence about man (the rope, as it were), and then a brief glimpse of the overman. 2001: A Space Odyssey: Directed by Stanley Kubrick. The fact that the song plays during the star child sequence can hardly be coincidence. describes the first incarnation of the overman as a child, transcending both the ascetic, altruistic side of man (the camel always asking to bear more weight) and the rapacious, brutish, will-to-power side of man (the lion). The idea of man's rebirth into a star child an infant form of an indescribably more advanced being, is an explicit part of N.'s "Zarathustra" there is a prominent passage called "On how a camel becomes a lion, and a lion becomes a child", in which N. I'm always surprised, given that the famous title track of 2001 is called "Also sprach Zarathustra", that nobody (nobody I've read, anyway) has noted the parallels between the movie and Nietzsche's famous work, "Also sprach Zarathustra".
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